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| Affichage de 1 à 20 (sur 208 articles) |
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Description |
Prix |
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George Morland (Angleterre 1763-1804
Une aquarelle -fin XVIIIe- sur carton, représentant une jeune femme à l'index levé
Paper back with pencil scripture labelling the title as Louise by Geo Morland.
Despite a brief life, George Morland painted as many as 4000 paintings. He was arguably the most genuinely popular artist of late eighteenth-century British artists, copied and engraved.
- Most likely, our Louise might refer to Lady Louisa Manners (1745-1840) afterwards Countess of Dysart.
- A. E. Rea & Company 1909-1911 was located in Montreal on Ste Catherine Street - the actual site of Centre Eaton.
Surface peinte: : 25.5 x 20 cm (10" x 7" 7/8)
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USD $1,500.00 |
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Frederick Harding (Angleterre XIXe siècle)
Miniature, watercolour on ivory
representing the portrait of a gentleman with brown hair and auburn side-whiskers, wearing black coat, and white cravat, seated on a red chair.
Signed lower right.
1825-1850
Notes:
- E. Bénézit, Dictionnaire, 1999. p. 749
- In 2004, a miniature by F. Harding, was sold at Christie's London for $8,783.
13.2 x 10.3 cm (5" 3/16 x 4" 1/16)
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USD $3,000.00 |
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Une miniature représentant le portrait d'une jeune femme à la mode des années 1745-1750.
Avec son modeste fichu noué et ses cheveux poudrés le portrait de cette dame est remarquable par la douceur de l'expression.
Aquarelle sur ivoire.
Diamètre surface peinte : 7.6 cm (3")
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USD $450.00 |
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Longpré
A framed watercolour miniature on oval ivory
Representing a child, in a plain white undershirt, kneeling and praying with clasping hands.
Signed twice.
The back with an undeciphered scrip Child of ...
8.1 cm (3" 3/16)
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USD $450.00 |
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J. Leprince
Miniature, watercolour on ivory adapted from a 1785 portrait of the Queen Marie-Antoinette by Elisabeth Vigée Le Brun.
A half-length in which the sitter, wearing a red jacket, delicate point lace fichu and ruffled engageantes, is gazing at us as if she interrupted reading, her finger still marking the page of a book laid down on a green velvet pillow.
Signed lower corner left.
9 x 7.3 cm (3" 1/2 x 2" 7/8)
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USD $1,000.00 |
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Une scène galante réunissant un jeune homme courtisant une jeune femme dans le goût de Watteau
Miniature en ivoire enchâssée dans une broche vermeil, recouverte d'un verre.
Fin XVIIIe.
5 x 4.2 cm (2" x 1" 5/8)
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USD $1,500.00 |
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Miniature.
Watercolour on ivory
Portrait of a gentleman mounted in an 18K gold oval medallion with a loop (gold marks) and protected by glass.
On the reverse, a mat made with interlocked hair checker style with tiny pearls to compose the initials AJ (?).
Undeciphered signature: Brah (?) and dated 1840.
7 cm (2" 3/4)
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USD $2,000.00 |
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Double miniature portraits of a gentleman and a child.
Framed on one side by enameled trails with rose-cut diamonds; a black glass inside mortise with a band of gold sheet.
Probably American, 1760's.
8.4 cm (3" 5/16)
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USD $3,500.00 |
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A framed watercolour miniature on ivory oval portrait of a lady dressed in the French empire fashion of early 19th century.
Surface peinte: : 6.6 cm (2" 5/8)
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USD $800.00 |
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John Hoppner (Angleterre 1758-1810)
Early 19th century water color on board representing a young woman with a necklace of blue pearls.
Back with scriptures: label H. .M. CO.; numbers 2631 & 7415; title Countess of Oxford; name of artist J. Hoppner.
John Hoppner became an established portrait painter from an early age, whose court connections (king George III) earned him many prestigious sitters. His sitters had romantic and noble poses in the classical renaissance taste of his time.
Museums: National Gallery of Art; The Metropolitan Museum of Art; The Detroit
Institute of Arts; Fine Arts Museum of San Francisco, etc.
A. E. Rea & Company 1909-1911 was located in Montreal on Ste Catherine Street - the actual site of Centre Eaton.
Surface peinte: : 25.5 x 20 cm (10" x 7" 7/8)
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USD $1,000.00 |
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Suzanne Eisendieck (Pologne 1908 - Paris 1998)
Marcel Bozonet de la Troupe de Sartrouville
Portrait of Marcel Bozonet, a mime or actor of a theatrical company from Sartrouville a commune in the northwestern suburbs of Paris, France.
Back scripture with title.
Suzanne Eisendieck settled in Paris in 1932 where she met her husband, the artist Dietz Edzard. She had successful exhibitions in London, Montreal (Dominion Gallery), New York City, and Cologne, as well as joint exhibitions with her husband in Los Angeles, London, New York City, Chicago, and Palm Beach.
Huile sur toile : 33.7 x 20.3 cm (13" 1/4 x 8")
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USD $4,200.00 |
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Un jeune garçon ravi contemple les pièces de monnaie qu'une toute jeune fille compte dans la paume de sa main. Le panier de fruits qui est à leurs pieds pourrait constituer à lui seul une Nature Morte d'une excellente facture.
Le cadre est doré à la feuille d'or.
La peinture (1860-1870) reproduit fidèlement La petite vendeuse de fruits (1670-1675) de Murillo, exposée à la Alte Pinakothek de Munich.
Provenance:
Le tableau faisait partie de la succession de Ravenscrag, la maison que s’était fait construire en 1863 Sir Hugh Allan à Montréal. Plus tard, en 1940, sa belle fille, Lady Allan, en fera don à l’Hôpital Royal Victoria et, à son inauguration en 1943, Ravenscrag fut rebaptisé de son nom actuel le Allan Memorial Institute.
Huile sur toile, surface : 137 x 106 cm (54" x 42")
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USD $20,000.00 |
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Adam Sheriff Scott (Canada 1887-1980)
Océan (titre attribué)
Huile sur panneau, 40.7 x 51 cm (16" x 20")
Adam Sheriff Scott est un peintre canadien né à Perth, en Écosse, en 1887, décédé en 1980 à Sainte Anne de Bellevue, Québec.
Il s'installe à Montréal en 1912. En 1919 il devient peintre officiel de The Gazette et est nommé membre de l'Académie Royale Canadienne des Arts en 1942. Il fut le maître formateur de plusieurs artistes peintres dont Armand Tatossian.
Ses oeuvres sont exposées notamment à l'Hôtel Mont-Royal, au théâtre Saint-Denis, au Manoir Richelieu, La Malbaie, etc.
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USD $4,000.00 |
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Léo Ayotte (Québec, Canada 1909-1976)
Nu, 1955
Huile sur toile
Signée et datée
Je ne parle pas de peinture… J’en fais!
Léo Ayotte est un peintre québécois, considéré comme l’un des plus grands de sa génération. Né en Mauricie, il s’installe à Montréal en 1938, dès lors, son parcours s’inscrit dans la tradition des ‘peintres maudits’. Sans le sou. Il travaille comme modèle et concierge à l’École des Beaux-Arts de Montréal; autodidacte, il dresse l’oreille aux cours des maîtres et récolte les restants de tubes et fusains pour se constituer une palette.
Son style évolua lentement, il connaîtra la gloire et ses toiles furent saluées par la critique, mais ses périodes de rechute dans l’alcoolisme furent une entrave à sa réussite.
Surface peinte : 89.9 x 69.8 cm (35" x 27" 1/2)
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USD $9,500.00 |
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Gérard Bélanger (Canada, Montréal 1936-)
Vertige, 1985
Sculpture en bois janéiforme.
Encadrement en bois .
Support en bronze sur pilotis.
Signée et datée.
Sans support : 83 x 58 cm (8" 5/8 x 22" 13/16)
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USD $8,500.00 |
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Christian Bergeron (Québec, Canada 1945-)
Château Frontenac Esplanade, 1983
Born in Charlevoix, Quebec. Impressionists influenced this figurative painter although with a very own use of spatula and distinctive palette of colours.
His works can be found among the corporate collections of Gas Metropolitain, Pratt & Whitney, La Laurentienne, Manoir Richelieu, etc.
Huile sur toile : 50.5 x 61.5 cm (19" 7/8 x 24" 3/16)
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USD $1,000.00 |
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John Burr (Écosse 1831-1893)
An unpretentious and humorous genre scene - probably an argument over a political article in the news paper - in a small Scottish town.
John Burr (1831 or 34 –1893) was born in Edinburgh; he starts his career at the age of fourteen, entered the Trustee's Academy in Edinburgh in 1853 and began exhibiting. In the year 1861, Burr moved to London and exhibited 18 works at the Royal Academy until 1882. He died in 1893 in relative obscurity.
Huile sur toile : 33 x 34 cm (13" x 13" 3/8)
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USD $6,000.00 |
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Leonard Edgar Kelsey (Canada 1883-1975)
Le Marché Bonsecours
Aquarelle signée et datée 1950 ou 1956
34.3 x 26.7 cm (13" 1/2 x 10" 1/2)
Avec cadre 48.3 x 40.7 cm (19" x 16")
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USD $700.00 |
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Robert Wakeham Pilot (Canada 1898-1968)
Gravety's Manor, 1943
Signed and dated lower right corner.
Back scripture: At Gravity's Manor July 43 and to Jenny with every kindest wish of the painter & of Gravity's Esq 1952
Huile sur panneau, 20.5 x 27 cm (8" 1/16 x 10" 5/8)
Gravety's Manor is a romantic getaway in West Sussex, England.
Robert Pilot, born in Saint-John's, Newfoundland, Canada, was associated with the Group of Seven in 1920. He formed the Beaver Hall Group in Montreal. Member of the Canadian Group of Painters. Elected (1920) to and president (1952-1954) of the Royal Canadian Academy of Arts. He taught at the École des beaux-arts in Montreal.
Museums where examples of the artist's work can be found include: National Gallery of Canada, the Musée des beaux-arts in Montreal, the Musée national des beaux-arts du Québec.
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USD $10,000.00 |
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Whenever the spirit from God came upon Saul, David would take his harp and play. Then relief would come to Saul; he would feel better, and the evil spirit would leave him *
Otto Reinhold Jacobi (1812-1901)
King David and Saul, 1890
Oil on board, signed lower corner left.
Image 33.7 x 29.8 (13" 1/4 x 11" 3/4), with frame 55.2 x 52.1 (21" 3/4 x 20" 1/2)
Otto Reinhold Jacobi was born in Königsberg, Western Prussia, (now Kaliningrad, Russia) in 1812/14. Died in 1901 (Dakota). He was the official court painter in Hesse; the Russian Empress and the Duke of Nassau commissioned some paintings. Consequently, his work was highly regarded when he was invited to Montréal in 1860, to perform a landscape of Shawinigan waterfalls, commissioned by the Prince of Wales. He settled in Canada and would become president of the Royal Canadian Academy of Arts 1890-1893. Jacobi was primarily a landscape and waterfalls painter, biblical subjects such as our painting are rare.
* 1 Samuel 16:23
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USD $5,000.00 |
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